![]() ![]() ![]() Estas imágenes recogen los registros de un proceso de trabajo, con una renuncia deliberada del uso de Photoshop o cualquier tipo de retoque digital. Pero estos montículos de formas globulares están lejos de proceder deuna probeta de laboratorio. que parecen ser observados a través de avanzados medios ópticos de alta tecnología. La serie fotográfica Cellular limbo examina el mundo de los entornos microscópicos y celulares, el comportamiento de los microorganismos, los mecanismos orgánicos, etc. The variations in the temperature of the colours and the codes, with a typography with a highly standardised appearance (Arial), are also reminiscent of pantone colour guides for house paint, thus establishing a parallel with the standardisation and limitation of what comes from mechanical-industrial repetition and manufacture. The composition directly alludes to the lay-out of image banks and to the separation and grouping by thematic blocks. The caption is a code, together with a title identifying the series, followed by the artist’s surname. The photographs have a white band at the bottom. The strategically placed lights and the evocative features of the material employed are the only resources used in creating this work endowed with a wet crystal-like feel. They are the records of a working process, with a deliberate renunciation of Photoshop or any other digital retouching. But these balloon-like mounds are far from coming from any lab test tube. The photographic serie Cellular limbo looks at the world of the microscopic, cellular environments, the behaviour of microorganisms, organic mechanisms… which appear to be seen as if through advanced hi-tech optical media. CELL PEARLS // serie of 40 // sizes range from 30 cm x 30 cm to 150 x 110cm / 2008-2011
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